Marathon Viewing 2025's Christmas Films: The Hits, The Misses, and The Guilty Pleasures.

It is the time of year to slob out on the couch and consume a packet of festive treats in front of a great film, a poor film, or one that’s so bad it’s good.

Once again, a crop of latest Christmas films aims to become part of our festive viewing—potentially even earning a place alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).

So, in a helpful attempt to sort the crackers from the turkeys, and to get into the holiday mood, I watched as many recent festive movies as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, ideally, on a good foot. This is the sole 2025 movie on a famous website's list of the greatest 100 Christmas movies of all time.

The musical trio are trapped in the UK after concluding their international trek and must return for Christmas. Their endeavors are hindered by an malevolent Father Christmas, who sings to announce they won’t get home until they “rediscover their brotherly magic.”

The banter between the bickering brothers is enjoyable even for the uninitiated, while devotees will undoubtedly pick up on lots of easter eggs as they attempt to get back using every mode of travel possible.

It’s private planes, trains and automobiles.

It’s not legendary, but is superb for fans and a good start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.

8.45am - Tinsel Town

Hollywood star Kiefer Sutherland has been cast as a Hollywood star roped into a pantomime.

“A what's a panto??” asks Sutherland’s “difficult” and ageing lead Brad Mack, who has seen better days and whose agent has tricked him into thinking he’s starring in renowned British drama.

His Aladdin co-stars tell him he’s playing Buttons. “Oh no I’m not,” he retorts. It's easy to predict their reply. Except if you’re not acquainted with traditional panto catchphrases.

There are some very funny lines, some cockle-warming sub-plots, and the ensemble is brilliant, too.

It’s the sort of feature that would be a bit naff at another season, but is a great entertainment at Christmas.

Festive score: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

A familiar face pops up at the beginning of this film, too, calling someone a mug for the next movie straight. Could this be a new Christmas tradition?

This time, he’s a musical taxi operator who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The familiar story progresses as the stingy Mr Sood is visited by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least different from all the others, but unfortunately he’s not very charismatic and Nayyar’s acting is flat—a problem when he’s so central to everything.

Holiday verdict: 🎄🎄

Lunchtime: Stuffed

There's just enough time for a network's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”

But after he gets an £8,000 Christmas bonus at work, his wife (portrayed by Morgana Robinson) persuades him spending the sum on a holiday to Lapland.

There’s just one issue—he discovers there was an mix-up with his bonus, which should have been £800, and he has to determine how to pay back the remainder.

Enjoyable but forgettable.

Christmas tree rating: 🎄🎄

1.12pm - Champagne Problems

This is one of those Christmas films where the festive trappings are in the background—Christmas is the setting of the film rather than its core purpose—but it feels cosy and festive all the same.

Ambitious executive Sydney (starring Minka Kelly) is dispatched to a vineyard to secure an acquisition for a sparkling wine company. During her travels, she runs into a guy in a literary haven who promises to show her a festive Paris.

A commentator recently stated this is the best new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a Christmas romance with a dash of elegance and gives the obligatory heartwarming sensation.

The scene with a detailed conversation about Die Hard is very good too.

Christmas tree rating: 🎄🎄🎄

A Charming Quest

Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the efforts of his dad (starring James Buckley) to tell him otherwise.

The truth is somewhere, and Chris sets out to find it with the expert help of a team of well-known experts and celebrities.

It’s gentle but charming, and ideal viewing while waiting for Santa to visit.

Christmas tree rating: 🎄🎄🎄

Late Afternoon: Oh. What. Fun.

Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer begins by referencing holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the true heroes of the holidays—moms.”

So that’s what this is, but in practice it’s really a jumble of those aforementioned movies, at least until Pfeiffer’s character at last comes into her own.

Holiday verdict: 🎄🎄

Formulaic Fun

The day’s waned in quality, but fortunately here’s a new offering in the crowded field of predictable, sentimental, cheesy—and utterly watchable—festive fodder.

It’s a narrative as familiar as can be: An American woman goes on a quest to a far-off wintery locale and ends up discovering romance.

In this case, Caprice Bourret plays a publisher

Amanda Cameron
Amanda Cameron

Elara Vance is a tech journalist and digital strategist with over a decade of experience covering UK innovation and startup ecosystems.